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Trippie Redd Pegasus Album Review

Published by on November 19th, 2020.


The latest album by the Ohio rapper sounds like a spontaneously generated playlist: lots of selections, but little soul.


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nonetheless wishes us to trust he can do all of it. Since the start of his career, the Ohio rapper has embraced a ardour for rap of each feasible range. He loves to float on top of cloud-rap beats, kick rhymes over tough-nosed boom-bap drums, pass over lure hello-hats, and wail and thrash over crunchy emo-rap fusion and booming EDM drops. He doesn’t simply put on multiple hats; he stacks them on pinnacle of each other like he’s trying to begin a TikTok venture. Trippie’s musical wanderlust sounds wonderful on paper and works decently in brief bursts, but in practice, and in particular on his ultra-modern album Pegasus, he seems like a randomly generated playlist: lots of alternatives, little or no soul.

Trippie has referred to Prince as an influence on the album, however a lot of these songs lack one of the center tenants of the red One’s song: personality. Passion isn’t a replacement for voice, and Trippie has burrowed in addition into the bad habits that plagued his bland 2019 sophomore album !. His musical pursuits are still scattershot, bouncing among exceptional poles of rap from song to tune, however he does attempt to branch out lyrically. Pegasus capabilities more love songs than ordinary, a marked evolution for a rapper who once couldn’t be to chase the feeling on the first “Love Scars” from 2014. It may be a change of tempo, however it doesn’t boost his writing, that is as nondescript as a PornHub remark. “Transmission went out/Transitions, my house/New positions to strive out,” he belts on “Love Scars 4.” whether or not he’s talking approximately revealing new love (“allow It Out”) or navigating charged emotions (“temper”), the songs sense nameless, like all of his on the spot friends should’ve written them.

The dearth of a non-public touch follows Trippie across Pegasus’ extra amped-up sections as well. Whilst he tries to inject greater character right into a tune, he frequently comes out sounding like someone else completely. His flows and inflections on “The Nether” sound like Wiz Khalifa circa 2012. He channels Roddy Ricch’s nasal tone on the name music and Pi’erre Bourne’s bouncy melodies on “right Morning.” whilst he does manage to face out, his punchlines are jokes that wouldn’t pass muster in a middle-college cafeteria cipher. “Them hollows hit your chinny-chin, I’m like the crimson Chin,” he growls on the hook for “youngster That Didd,” draining all momentum from the song.

Casting this sort of wide stylistic net yields some successes throughout the album. Trippie settles into a pleasing rhythm on “No Honorable mention,” outpacing guests Quavo and Lil Mosey with a fast-paced verse approximately flexing via trauma. The second access in his “Oomp’s Revenge” collection, committed to his late brother, affords a regular beat for Trippie to preserve eulogizing his fallen soldier. Different highlights throughout Pegasus come from its many visitors. There are scene-stealing functions from PARTYNEXTDOOR, young Thug, and future. The most bizarre track on the album is “I got You,” wherein Trippie swaps verses with Busta Rhymes even as interpolating the refrain to Busta and Mariah Carey’s 2003 music “I understand What You want.” come what may, it’s also the most convenient collaboration on the complete venture.

The scope of Pegasus — 26 songs stretched across seventy four mins, now not along with an extra six songs really worth of “Spooky Sounds” — is brilliant. It’s double the period of ! Even as retaining a number of the equal issues. Trippie would benefit from deciding on most of the several patterns he insists on sampling on every mission and focusing his strength as opposed to trying to be all things to each person. Until he’s equipped to reel it in, he gained’t be healthy to claim mastery over any of them.

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